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Thursday, April 8, 2010

32 Forms of Ganapathi


32 Forms of Ganapathi

Listed below are the 32 iconographic forms of Ganapati shown in the Sritattvanidhi -
Name
English Meaning
ImageDescription
atha dvātriṁshadgaṇapatInāṁ dhyānaṁ || mudgalapurāṇe ||
Bāla Gaṇapati

"Childlike Ganapati"
BAlagaNapati1.bmp.jpgtatra bālagaṇapatidhyānaṁ

karasthakadalīcūta | panasekṣucamodakaṁ | bālasūryanibhaṁ vaṁde ||
devaṁ bālagaṇādhipaṁ || 1 || raktavarṇaḥ


Adorned with a garland of tender flowers, having plantain (banana), mango, jack fruit, sugarcane and sweets (modaka) in His hands and who is effulgent like the rising sun [17] (red color).

Taruṇa Gaṇapati

"Youthful Ganapati"
TaruNagaNapati.bmp.jpgatha taruṇagaṇapatidhyānaṁ || mudgalapurāṇe ||

pāshāṁkushāpūpakapitthajaṁbū |
svadaṁtaśālīkṣumapi svahastaiḥ |
dhatte sadāyastaruṇāruṇābhaḥ |
pāyātsa yuṣmāṁstaruṇogaṇeshaḥ || 2 || raktavarṇaḥ


"Carrying in His hands the noose, hook, rice-cake , guava fruit, rose apple, own (broken) tusk, bunch of corn ears (paddy) and sugarcane and who vividly shines forth with His brilliant youthfulness"[18] (Red Color).

(According to the Mudgala Purana version, kadubu - an edible specific to Lord Ganapati is mentioned instead of rice-cake).

Bhakti Gaṇapati

"Devotee (Devotion) Ganapati"
BhaktagaNapati.JPGatha bhaktagaNapatidhyAnaM || mudgalapurANE |

nArikELAmrakadaLI |
guDapAyasadhAriNaM |
sharaccaMdrAbhavapuShaM |
bhajE bhaktagaNAdhipaM ||3|| shvEtavarNaH

Described as “ the Lord of His devotees and who shines like the autumn moon, with coconut, mango, plantain (banana), jaggery and sweets in his hands."[19] (White Colour)

Vīra Gaṇapati

"Valiant Ganapati"
VIragaNapati.JPGatha vIragaNapatidhyAnaM || mudgalapurANE ||

bhEtALashaktisharakAr^mukacakraKaDga |
KaTvAMgamudgaragadAMkushanAgapAshAn |
shUlaM ca kuMtaparashuM dhvajamudvahaMtaM |
vIraM gaNEshamaruNaM satataM smarAmi ||4 || rakatavarNaH

"Armed with Bhetala, the weapon of power(shakti), arrow, bow, wheel(Chakra or discus), sword, club, hammer, mace, hook, nagapasha (serpent noose), spear, plough, and the shining axe."[20] (Red Colur).

(According to the Mudgala Purana version, flag is mentioned instead of plough).


Śakti Gaṇapati

The "Powerful" Ganapati
Shakti gaNapati.JPGatha shaktigaNapatidhyAnaM || mudgalapurANE ||

AliMgya dEvIM haritAMgayaShTiM |
parasparAshliShTakaTipradEshaM |
saMdhyAruNaM pAshasRuNI vahaMtaM |

He is red in colour. He has four arms. His low right hand shows the movement of lack of fear (abhaya); the two others wear the elephant goad and the noose; the last hand, who holds a lemon, embraces the goddess. With the top of his trunk, Shakti Ganapati holds a cake.

Dvija Gaṇapati

"Ganapati the Twice-Born"
Dvija gaNapati.JPGatha dvijagaNapatidhyAnaM || mudgalapurANE ||

yaM pustukAkShaguNadaMDakamaMDala shrIvidyOtamAnakarabhUShaNa miMduvarNaM |
staMbEramAnanacatuShTayashObhamAnaM |
tvAM yaH smarEddvijagaNAdhipatE sadhanyaH ||6|| shubhravarNaH

He has four heads and four arms. He is white in colour. His hands hold the rosary, the washing pot (kamandalu), the walking-stick of an ascetic or the ritual spoon (sruk) and the manuscript on palm-leaves (pustaka).

Siddhi Gaṇapati

Ganapati bestowing success(Siddhi)
or "The Accomplished Ganapati"
Siddhi gaNapati.JPGatha siddhagaNapatidhyAnaM || mudgalapurANE ||

pakvacUtaPalapuShpamaMjarI |
mikShudaMDatilamOdakaisvaha |
udvahanvarashumastu tE namashrI samRuddhiyutahEmapiMgaLa ||7|| piMgaLavarNaH

Fond of the sesame cake. He has four arms. He is golden in colour. His hands hold the axe, the noose, the sugar-cane stem and the mango.

Ucçhishṭa Gaṇapati

"Ganapati devouring the remnants of the meal"
UcCiShTa gaNapati.JPGatha uCiShTagaNapatidhyAnaM || mudgalapurANE ||

nIlAbjadADimIvINA |
shAlIguMjAkShasUtrakaM |
dadhaduCCiShTanAmAyaM |
gaNEshaH pAtu mEcakaH |

graMthAMtare |

nArIyOnirasAsvada |
lOlupaM kAmamOhitamiti ||8|| nIlavarNaH

He has six arms. He is blue in colour. His hands show the rosary, the pomegranate, the paddy ear (shalyagra), the nocturnal lotus, the lute (vîna); his sixth hand sometimes bears a guñja berry, embraces the goddess. The Ucchista Ganapati trunk is placed on the goddess's thigh

Vighna Gaṇapati

Ganapati - "Lord of Obstacles"
UcCiShTa gaNapati.JPGatha viGnagaNapatidhyAnaM || mudgalapurANE ||

shaMKEkShucApakusumEShukuThArapAsha |
cakrasvadaMtasRuNimaMjarikAshanAdaiH |
pANishritaiH parisamIhitabhUShaNashrI |
viGnEshvarO vijayatE tapanIyagaura H || 9 || svarNavarNaH


He has eight arms. He is golden in colour. His hands hold the single tusk, the disc, the arrow-flowers, the hatchet, the conch, the sugar-cane stem, the noose, the elephant goad. With the tip of his trunk, he carries a bunch of flowers (pushapamañjari)

Kshipra Gaṇapati

"Ganapati who is easy to Appease"
or "Quick-acting Ganapati"
KShipra gaNapati.JPGatha kShipragaNapatidhyAnaM || mudgalapurANE ||

daMtakalpalatApAsha |
ratnakuMbhAMkushOjvalaM |
baMdhUkakamanIyAbhaM |
dhyAyEtkShipragaNAdhipaM ||10|| raktavarNaH


He has four arms. He is red in colour. His hands show the single tusk, the elephant goad, the creeper of the votive tree (kalpalatâ), the noose. With the end of his trunk, he carries the stone cup full of precious stones (ratnakumbha).

Heramba Gaṇapati

"Mother's Beloved Son" Ganapati
HEraMba gaNapati.JPGatha hEraMbagaNapatidhyAnaM || mudgalapurANE ||

abhayavaradahastaM pAshadaMtAkShamAlAsRuNiparashudadhAnaM mudgaraM mOdakaM ca |
PalamadhigatasiMhaH paMcamAtaMgavaktrO |
gaNapatiratigauraH pAtu hEraMbanAmA || 11 || gauravarNaH


The five-headed Ganapati riding the lion. He has ten arms. He is dark in colour. His first hand shows the movement of lack of fear (abhaya), the others hold the rosary, the citron, the club, the elephant goad, the noose, the axe, the kadabu cake, the single tusk; his tenth hand shows the movement which bestows boons (varada).

Lakshmī Gaṇapati

"Ganapati the Fortunate"
similar to GoddessLakshmi
Lakshmi gaNapati.JPGatha lakShmIgaNapatidhyAnaM || mudgalapurANE ||

bibhrANashshukabIjapUrakamiLanmANikyakuMbhAMkushA |
npApAshaM kalpalatAM ca KaDgavilasajjyOtissudhAnirJaraH |
shyAmEnAttasarOruhENa sahitaM dEvI dvayaM cAMtike |
gaurAMgo varadAnahastasahito lakShmIgaNEshovatAt || 12 || gauravarNaH

Embracing his wives Siddhi(Achievement) and Buddhi(Wisdom). He is white (fair) in colour. He has eight arms. His hands hold a pomegranate, a sword, the creeper of the votive tree, the elephant goad, the parrot, the noose, the jewel pot; his eighth hand bestows boons (varada).

Mahā Gaṇapati

"The Great Ganapati"
MahA gaNapati.JPGatha mahAgaNapatidhyAnaM || mudgalapurANE||

hastIMdrAnanamiMducUDamaruNaCAyaM triNEtraM rasAdAshliShTaM priyayA sapadmakarayA svAMkastayA saMtataM|
bIjApUragadEkShukArmukalasaccakrAbjapAshOtphala |
vrIhyagrasvaviShANaratnakalashAnhastair^vahaMtaM bhajE ||13|| raktavarNaH


With a shakti, He has ten hands. He is red in colour. His hands hold the single tusk, the pomegranate, the club, the sugar-cane bow, the disc, the conch, the noose, the nocturnal lotus, the paddy ear, the jewels pot.

Vijaya Gaṇapati

"Ganapati the Victorious"
Vijaya gaNapati.bmp.jpgatha vijayagaNapatidhyAnaM ||mudgalapurANE ||

pAshAMkushasvadaMtAmraPalavAnAKuvAhanaH viGnaM nihaMtu nassarvaM |
raktavarNO vinAyakaH ||14 || raktavarNaH

Riding a rat which trots at a smart pace, He has four arms. He is red in colour. His hands hold the single tusk, the elephant goad, the noose and the mango.

Nṝitya Gaṇapati

"Ganapati the Dancer"
NRutta gaNapti.jpgatha nRuttagaNapatidhyAnaM || mudgalapurANE ||

pAshAMkushApUpakuThAradaMta caMcatkarAkluptavarAMguLIyakaM |
pItaprabhaM kalpatarOradhastAM |
bhajAmi nRuttOpapadaM gaNEshaM || 15 || pItavarNaH


Dancing under the boon-tree, He has four arms. He is golden in colour. His hands hold the single tusk, the elephant goad, the noose, the axe (parashu) or the hatchet (kuthâra). The dhyâna sloka specifies that one of the four hands can show a cake apûpa.

Ūrdhva Gaṇapati

"The Elevated Ganapati"
Urdhva gaNapti.jpgatha UrdhvagaNapatidhyAnaM || mudgalapurANE ||

kalhArashAlikamalEkShukacApabANa |
daMtaprarOhagadabhRutkanakOjjvalAMgaH |
AliMganOdyatakarO haritAMgayaShTyA |
dEvyA karOtu shubhamUrdhvagaNAdhipomE ||16|| kanakavarNaH

Seated with his Shakti on his left thigh, He has eight arms. He is golden in colour. His hands hold the single tusk, the arrow-flower, the daylight lotus, the blue lily (kalhara), the sugar-cane bow, the paddy ear, the club; his last hand claps the goddess. The extremity of his trunk is rolled around the right breast of the goddess.

Ekākshara Gaṇapati

Ganapati identified with "Single Syllable"(gaṃ).
EkAkShara gaNapti.jpgatha EkAkSharagaNapatidhyAnaM || mudgalapurANE ||

raktO raktAMgarAgAMshukakusumayutastuMdilashcaMdramauLe |
nesatraiyusaktastribhirvAmanakaracaraNo bIjapUraM dadhAnaH |
hastAgrakluptapAshAMkusharadavaradO nAgavaktrOhibhUShO |
dEvaH padmAsanasthO bhavatu suKakarO bhUtaye viGnarAjaH ||17|| raktavarNaH

He has four arms. He is red in colour. His hands hold the single tusk, the elephant goad, the noose and the cake modaka. Sometimes, he wears, with the extremity of his trunk (bîjapûra).

Vara Gaṇapati

The "Boon-giver" Ganapati
Vara gaNapti.jpgatha varagaNapatidhyAnaM || mudgalapurANE ||

siMdUrAbhamibhAnanaM triNayanaM hastE ca pAshAMkushau |
bibhrANaM madhumatka pAlamanishaM sAdhviMdumauLiM bhajE ||
puShTyAshliShTatanuM dhvajAgrakarayA padmOllasaddhastayA |
tadyOnyAhitapANimAttavasumatpAtrOllasatpuShkaraM ||18|| raktavaraNaH

With a shakti seated on his left thigh, He has four arms. He is red in colour. His first three hands hold the elephant goad, the skull filled with liquor (madhumatkapâla) and the noose. The fourth hand creeps between the thighs of the goddess who holds a lotus and a banner.

Tryakshara Gaṇapati

Lord "of the Three-lettersA+U+M" Ganapati
TryakSha gaNapati.JPGatha tryakShagaNapatidhyAnaM || mudgalapurANE ||

gajEMdravadanaM sAkShAccalatkarNaM sacAmaraM |
hEmavarNaM caturbAhuM |
pAshAMkushadharaM varaM |
svadaMtaM dakShiNE hastE |
savyE tvAmraPalaM tathA |
puShkarE mOdakaM caiva |
dhArayaMtaH manusmarEt ||19|| svarNavarNaH


He has four arms. His hands hold the single tusk, the elephant goad, the noose and the mango. He holds the cake modaka with the trunk end.

Kshirpra Prasāda Gaṇapati

Ganapati the "Quick-Rewarder"
KShipraprasAda gaNapati.JPGatha kShipraprasAdagaNapatidhyAnaM || mudgalapurANE ||

dhRutapAshAMkushakalpalatAsvaradashca bIjapUrayutaH |
shashishakalakalitamaulistrilOcanO ruNashca gajavadanaH |
bhUsurabhUShadIptO bRuhadudaraH padma viShvarollasitaH |
viGnapayOdharapavanaH karadhRutakamalassadAstu mE bhUtyai ||20|| aruNavarNaH

He has six arms. He is red in colour. His hands hold the single tusk, the elephant goad, the lotus, the creeper of the votive tree (kalpalatâ), the noose, the lemon.

Haridrā Gaṇapati

"The curcuma-colored Ganapati".
HaridrA gaNapati.JPGatha haridrAgaNapatidhyAnaM || mudgalapurANE||

haridrAbhaM caturbAhuM |
haridrAvadanaM prabhuM |
pAshAMkushadharaM dEvaM |
mOdakaM daMtamEva ca |
bhaktAbhayapradAtAraM |
vaMdE viGnavinAshanaM ||21|| haridrAvarNaH

He has four arms. He is yellow in colour. His hands hold the single tusk, the elephant goad, the noose and the cake modaka

Ekdanta Gaṇapati

"The Single Tusked Ganapati".
EkadaMta gaNapti.JPGatha EkadaMtagaNapatidhyAnaM || mudgalapurANE|

laMbOdaraM shyAmatanuM gaNEshaM |
kuThAramakSha srajamUrdhva gAtraM |
salaDDukaM daMtamadhaH karAbhyAM |
vAmEtarAbhyAM ca dadhAnamIDE ||22|| shyAmavarNaH

He has four arms. He is blue in colour. His hands hold a large tusk, a rosary, a hatchet (kuthâra) and the small ball of sweets (laddu).

Sṝishṭi Gaṇapati

"Ganapati the Creator",
SRuShTi gaNapati.bmp.jpgatha sRuShTigaNapatidhyAnaM || mudgalapurANE||

pAshAMkushasvadaMtAmra|
phalavAnAKuvAhanaH |
viGnaMnihaMtu nashyONa|
ssRuShTi dakShOvinAyakaH ||23|| raktavarNaH


Riding a big rat, He is red in colour. He has four arms. His hands hold the single tusk, the elephant goad, the noose and the mango.

Uddaṇḍa Gaṇapati

"Ganapati the Unchained",
UddaMDa gaNapati.bmp.jpgatha uddaMDagaNapatidhyAnaM ||mudgalapurANE ||

kalhArAMbuja bIjapUraka gadAdaMtEkShucApaM sumaM |
bibhrANO maNikuMbhashAli kalashau pAshaM sRuNiM cAbjakaM |
gaurAMgyA rucirAraviMda karayA dEvyA samAliMgita |
shshoNAMgashshubhamAtanOtu bhajatA muddaMDaviGnEshvaraH ||24|| raktavarNaH


With his Shakti seated on his left thigh, He has twelve arms. He is red in colour. His hands hold the single tusk, the club, the nocturnal lotus, the noose, the paddy ear, the elephant goad, the washing pot (kamandalu), the sugar-cane bow, the disc, the daylight lotus, the conch and the pomegranate. His trunk is placed on the top of the goddesse's breast or, sometimes, maintains a jewels pot (manikumbha).

Ṝiṇamochana Gaṇapati

"Ganapati the liberator from depts"
RuNamOcana gaNapati.bmp.jpgatha RuNamOcanagaNapatidhyAnaM ||mudgalapurANE||

pAshAMkushau daMtajaMbU |
dadhAnaH sphaTikaprabhaH |
raktAMshukO gaNapati |
rmudE syAdRuNamOcakaH ||25|| shvEtavarNaH

Ganapati seated on a large lotus with his Shakti. He removes the impediment. He has four arms. He is white in colour. His first hand show the movement to bestow boons (varada) ; the three others hold the elephant goad, the noose and the bowl of sugared rice (pâyasapâtra).

Ḍhuṇḍhi Gaṇapati

"The Ganapati Sought After"
DhuMDi gaNapati.bmp.jpgdhuMDigaNapatidhyAnaM || mudgalapurANE ||

akShamAlAM kuThAraM ca |
ratnapAtraM svadaMtakaM |
dhattE karairviGnarAjO |
dhuMDinAmA mudestu naH ||26|| aucityAdraktavarNaH

He has four arms. His hands hold the single tusk, the rosary (rudrAkSha), the hatchet (kuthâra) (an axe ) and the pot of jewels (ratnapâtra). (Red Color).

Dvimukha Gaṇapati

"Two-faced Ganapati"
DvimuKa gaNapati.bmp.jpgatha dvimuKagaNapatidhyAnaM | mudgalapurANE |

svadaMtapAshAMkusharatnapAtraM |
karairdadhAnO harinIlagAtraH |
ratnAMshukO ratnakirITamAlI |
bhUtyai sadA bhavatu mE dvimuKO gaNEshaH | hasuruvarNaH

He holds in his hands his own tusk, a noose, a hook and a pot full of gems. His body complexion is greenish blue and he is wearing a red colored robe. A gem studded crown embellishes his head.

Trimukha Gaṇapati

"Three-faced Ganapati"
TrimuKa gaNapati.bmp.jpgatha trimuKagaNapatidhyAnaM | mudgalapurANe |

shrUmattIkShNa shiKAMkushAkSha varadAndakShE dadhAnaH karaiH |
pAshaMcAmRuta pUrNakuMbhamabhayaM vAmE dadhAnO mudA |
pIThE svarNamayAraviMda vilasatsatkarNikA bhAsure |
svAsInastrimuKaH palAsharucirO nAgAnanaH pAtu naH | raktavarNa |


He has six arms. He carries in two of his right hands very sharp elephant goad, a rudrâksha rosary and is holding another hand in boon bestowing gesture (varada). He carries in two of his left hands a noose, a urn full of celestial nectar (amruta) - ambrosia pot (amritakumbha) and is holding the another hand in gesture of bestowing fearlessness (abhaya). He is seated on shining golden throne with lotus in the center. He has three eyes with elephantine face and he effulgent like the flame of forest flower (bastard teak/butea frondosa). (Red color).

Siṇha Gaṇapati

"The Lion Ganapati".
SiMha gaNapati.bmp.jpgatha siMhagaNapatidhyAnaM | mudgalapurANE |

vINAM kalpalatAmariM ca varadA dakShE vidhattE karai
vAsamE tAmarasaM ca ratnakalashaM sanmaMjarIM cAbhayaM |
shuMDAdaMDalasanmRugEMdravadanaM shaMKEMdugaurashshubhO |
dIvyadratnanibhAMshukOgaNapatiH pAyadapAyatsa naH ||29|| shvEtavar^NaH



He has eight arms. He is white in colour He is holding in his right hands a vîna (Indian lute), a creeper of votive tree - kalpavRukSha ( Tree which can cure all diseases), a discus and another held in a gesture of granting boons (varada). He is holding in his left hands a lotus, a pot of gems, a flower bunch and another held in a gesture of granting fearlessness (abahaya). He is lion faced with an elephant trunk and shining. His body is shining like a white conch and moon. He is wearing a gem studded shining robe.

Yoga Gaṇapati

"Ganapati the Ascetic".
YOga gaNapati.bmp.jpgatha yOgagaNapatidhyAnaM || mudgalapurANe ||

yOgArUDhO yOgapaTTAbhirAmO|
bAlAr^kAbhashcaMdranIlAMshukADhyaH|
pAshEkShvakShAnyOgadaMDaMdadhAnaH|
pAyAnnityaZM yOgaviGnEshvarOnaH ||30|| raktavarNaH

He has four arms. He is red in colour. His legs are surrounded with the meditation girdle (yogapatta). He is engrossed inyoga and is strapped in a yoga posture. He looks beautiful and shines like the rising morning sun. He is adorned with a colored robe which is shining like blue sapphire. His hands hold the rosary, the elbow-rest or the walking-stick (a yoga wand), the noose and the sugar-cane stalk.

Durga Gaṇapati

"Ganapati the Invincible"
similar the Goddess Durgâ.
DurgAgaNa gaNapati.bmp.jpgatha durgAgaNApatidhyAnaM || mudgalapurANE ||

taptakAMcanasaMkAsha |
shcaShTahastOmahattanuH |
dIptAMkushaMsharaMcAkShaM |
daMttaMdakShEvahankaraiH |
vAmEpAshaMkArmukaMca |
latAM jaMbUMdadhatkaraiH raktAMshukassadAbhUyA ddurgAgaNapatirmudE ||31|| kanakavarNaH

His body glows like burnished gold (Golden Color). He has eight hands and massive body. He is holding a shining hook (Ankush), an Arrow, a rosary and a tusk with the four hands on the right side. He is holding a noose, a bow, a wish bestowing creeper and Rose Apple (Eugenia Jambolana) with the four hands on the left side. He is dressed in red clothes.

(According to another version, the Arrow is replaced by a noose)

Saṇkaṭahara Gaṇapati

"Ganapati - Dispeller of Troubles".
SaMkaTahara gaNapati.bmp.jpgatha saMkaTaharagaNapatidhyAnaM || mudgalapurANE ||

bAlArkAruNakAMtirvAmEbAlAMvahannaMkE |
lasadiMdIvarahastAM |
gaurAMgIM ratnashObhADhyAM |
dakShEMkushavaradAnaM |
vAmEpAshaMcapAyasaMpAtraM |
nIlAMshukalasamAnaH |
pIThE padmAruNE tiShThan |
saMkaTaharaNaH pAyAtsaMkaTapUgEdgajAnanO nityaM | raktavarNaH

He has four arms. He is effulgent like the rising red sun (Red in Color). He has his wife (shakti) - who is carrying a beautiful lotus, glowing with radiance and bejeweled - sitting on his left lap. He is carrying in one of his right hand a hook (Ankusha) and with the other bestowing boon(varada). He is carrying in one of his left hand a rope(noose) and with the other a vessel brimming with sweet soup (Payasam). He is seated on a Red Lotus and wearing a blue robe.

(According to another version, the varada gesture and vessel of Payasam is replaced by the broken tusk and the rose-apple fruit.)


Source : wikipedia.org

Wednesday, March 3, 2010

Nityananda


Posting From - Sri Kamakoti Mandali titled - KALKIN
Those who seek refuge in the lotus feet of bhagavAn vAsudeva alone shall attain true nityAnanda. Other Pashandins shall face the wrath of Lord Kalki and his mighty sword.
itthaM kalau gataprAye janeShu kharadharmiShu |
dharmatrANAya sattvena bhagavAnavatariShyati||
charAcharagurorviShNorIshvarasyAkhilAtmanaH |
dharmatrANAya sAdhUnAM janmakarmApanuttaye ||
shambhalagrAmamukhyasya brAhmaNasya mahAtmanaH |
bhavane viShNuyashasaH kalkiH prAdurbhaviShyati ||
ashvamAshugamAruhya devadattaM jagatpatiH |
asinAsAdhudamanamaShTaishvaryaguNAnvitaH ||
vicharannAshunA kShauNyAM hayenApratimadyutiH |
nR^ipali~NgachChado dasyUnkoTisho nihaniShyati ||
atha teShAM bhaviShyanti manAMsi vishadAni vai |
vAsudevA~NgarAgAti puNyagandhAnilaspR^ishAm ||
paurajAnapadAnAM vai hateShvakhiladasyuShu |
teShAM prajAvisargashcha sthaviShThaH sambhaviShyati ||
vAsudeve bhagavati sattvamUrtau hR^idi sthite |
yadAvatIrNo bhagavAnkalkirdharmapatirhariH ||
kR^itaM bhaviShyati tadA prajAsUtishcha sAttvikI |
yadA chandrashcha sUryashcha tathA tiShyabR^ihaspatI |
ekarAshau sameShyanti bhaviShyati tadA kR^itam ||

Wednesday, February 10, 2010

Meaning of Carrying Ghee in Cocunut

Dear Anna
Swamy Sharanam!!!!!
Can you please explain of Carrying Ghee in Cocunut for abhishekam to sabarimala, i hv got various answer for this Can you pls telll me significance of the same
Swami Sharanam
Santosh

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The meaning of carrying Ghee in the coconut is an age old and unique tradition that is followed in sabari malai... unfortunately people today follow it without even knowing the meaning.

This is an unique worship - all your vrutam is focussed towards this irumudi and the irumudi is containing this ghee... All your 48 days of Vrutham is now given a final shape... for what purpose?

The coconut is nothing but equated to your body and the ghee is the atman... and So the ultimate sharanagati - surrender is the ghee abhishekam... its Atma Nivedhanam

One of my friend who is going to sabari for the past 20 years(and also a Guruswamy) commented, its just because those days people did not have any containers and ghee will last long for more days and thats the only reason for taking Ghee... Sheer Arrogance I say... then why not take honey, why not chandanam which will last long as well...

Its a very great quality to accept things which you dont know; but people's ego never allow them do so... Especially with Sastha - whenever u think you are "too smart" and give judgement on His issues... He'l immediately show who is smarter...

You surrender yourself to the Lord... thats the Thathvam of Nei Thengai...

And once you do your Kettu Nerai.. Your existence ends there.. YES !!!!
Iam not telling this of my own.. what i've learnt from many senior Guru Swamis, like my grandfather Kalpathy Chami Anna, My Guru and stalwarts like Kambankudi Mama and many others, Iam giving this statement..

Once You are doing your "Kettu Nerai" you are equal to that of a dead body... coz... Your atman is now installed in the Nei Thengai... (Remember.. the 3 hands of rice has a very very subtle and supreme meaning).. Now correlate this with the unique system of sabarimalai yatra of starting the journey without looking back, no farewell, no good byes etc...

And now answer me...
How can you allow Mr. X to put in the rice for your Kettu ?
How can one carry the coconut for (which is his own self) Mr. Y

As far as Iam told only during unavoidable circumstances one can carry the "Nei Thengai" of another person in his irumudi - only for persons to whom he "Karmically bound"

Today, we see any one can put in the rice, any one can even fill the ghee and a devotee can carry "Nei Thengai" on behalf of 7-8 persons

This is the reason I mostly avoid attending Kettu Nerai... The situation becomes embrassing and I generally vacate the place till its over...

How can you expect your results - when you write exams for 5 people?

Please excuse me devotees...Iam not talking out of arrogance but out of sorrow. Today 99 % of the devotees do not follow any thing... Sabarimalai has already become a picnic spot...

Just filling the coconut with the Ghee is not kettu nerai... you can very well take it in a plastic container instead of so much trouble. Thats what its happening today...

Its hardly difficult or its only 1% to see a proper kettu nerai...

And you have certain qualifications to Sit as the Guruswamy for Kettu Nerai... for which moola mantram is a must.. and he has to do the avanaham of Sastha in the Mudrai and do the Bhandanam.. with Astram (not every Guruswamis will be having moola mantram but atleast he can invite a Sasthru upasaka to do that or atleast do follow the basic procedure even without moola mantram) this process will be concluded only at Sannidanam for the abhishekam..

When properly done.. each Nei Abhishekam becomes a Mini-Kumbabishekam for Swami... Your Vrutham adds the Sannidyam multifold. You offer yourself to the Lord and he gives himself...

Sorry if iam a bit harsh, but

My humble request is.. please try to learn things and then crave for the blessings of the Lord.

Doing things which are not told is not going to make any difference. or

When you dont do things which are prescribed you are in a neutral state - No Plus and No Minus...

But doing things which are prohibited will have serious consequences...

Poi Inri Meiyodu Nei Kondu Ponal Ayyanai Nee Kanalam

Hariharaputram Saastharam Sadha Bhajeham Maaya Kaaryam Thyejeham
May Lord Hariharaputra be with you always, giving you the best of everything.

Swamy Sharanam
V.Aravind Subramanyam
www.aravindsastha.com

The Great Temple at Sabarimala in the year 1942

The Great Temple at Sabarimala in the year 1942


This Photo was clicked in Year 1942 when His Highness Shri Chitira Thirunal Balrama Marthanda Verma Maharaja of Travancore Visited Sabarimala. The Photo was clicked by his brother Shri Uthradom Thirunal Marthanda Verma who accompanied him.
Is it not Beautiful … Alas! we have lost it due to Modernization and so called cry from devotees for ‘facility in Sabarimala’

Thursday, February 4, 2010

18 steps Pathinettam Padi


Swamy Sharanam Anna
What is the actual meaning of 18 steps which is there in sanidhanam. becasue i have heared lot of menaing for the same viz 18 puranas. 18 gunas, 18 mountains around sabarimala, etc... I want to know what is actual meaning of the same and after claiming we attain the Lord which is called "THAATVAMAASI" you hav written the meaning of the same in ur book but since i dont knw to read i did not knw the actual meaing.
Awaiting to your reply
Swamy Sharanam
Santosh
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18 Steps.... are equated to

18 Puranas
18 Mountains
18 Ayudhams
18 Siddhas
18 Devatas
18 Gunas

There are various explanations suiting each of the above statement.

You can also find ample of proof justifying each stand ...

"Padi Pathinettum Puranangal Aakkiya Premaswaroopandae Ananda Mandapam..." says an old sharana vili

There are 18 mountains surrounding Sabarimalai and each one is represented through one step of the padhinettu padi...

Ayyappan has 18 Ayudhams... he left each one of the ayudham while ascending the peetam and hence each step has or represents an aydham of Ayyappan. - Weapons which kills (the enemies) and at the same time protect (the devotees)

All our Shastras greatly exclaim about the 18 siddha purushas... These siddha purushas have surrendered to Lord Sastha who is the Yogeeshwara and obtained the status or privilege of being his Ashtadasha Peetam(18 Steps)

18 Special Devatas are installed in the 18 steps.. During the customary Padi Pooja - these dieties are worshipped...

Confused ...?

All these are implications.... Everything is true as far as this is concerned... you cant deny of the above statement... "It is there - because it is there" - is the best answer

As per the divine will of Lord Ayyappa all these things happen...

Now just go in the reverse order...

There are eighteen devatas who are the adhishtana moorthis of 18 mountain ranges(or Parivara devats) who are installed in the 18 steps... and Sastha was seated above all (here the steps are not built.. but it is done as a pratishta... that is the most important thing and uniqueness of Sabarimalai... )

When Ayyappa avatara took place he renounced his prince hood and left his ayudhams one by one on each of the step of Pathinettampadi... and merged with Sastha

Further 18 siddha purushas who wanted to serve the Lord, installed their divine presence in the 18 steps to serve him as well as bless the devotees..

Just imagine, the Swami is same everywhere.. at Achankovil, Aryankavu or Kulathupuzhai, Coimbatore or Banglore... But the 18 steps are unique here... You can see the Lord even without the vrutham. But you cannot step the Padinettampadi without Vrutham... Thats its speciality..

Bcoz.. By climbing the steps - You are actually stepping the zone of a Particular devata who guards it... and only if you have the Vrutha Balam - you qualify - "you pass the exam" - you are blessed.

(These devatas are worshipped during the Padi Pooja - this detail is not known or not revealed to many.. I can humbly claim that Iam blessed to have the actual process and the actual list of devatas of all the 18 steps along with their dhyanam - moola mantram and everything)

Now you can see - Every statement given above is true...

And thats not the end...

Every divine aspect has a direct side and an esoteric meaning... For Example Rama's war with with Ravana to unite with Seetha - is not a mere story but the aikyam of Jeevathma and Paramatma

Similarly the 18 steps has an esoteric meaning -
that one who conquers the 18 Gunas becomes Bhagawan... thats THATHVAMASI

Each year you follow the Vrutham to 100% sincerity, you climb one step or rise one level in your spiritual progress... the inner refinement happens.. (that is the actual purpose of Sabarimalai yatra.. if this is not happening.. there is no use even if you go 1008 times)

Similarly when you overcome the 18 gunas... you become pure and attain the state of oneness with the Lord - the state is called THATHVAMASI.

THATHVAMASI is a Maha Vakyam from the Vedas meaning - "You know that you and that are One"..

Unfortunately, we have neither understood the direct meaning nor the esoteric meaning

Let that evercompassionate Lord bless us with the Gnana and Bhakti and the inner drive to understand His significance...

Hariharaputram Sadhaa Bajeham Maaya Kaaryam Thyejeham

V.Aravind Subramanyam (Sastha Aravind)
Coimbatore

பார் புகழும் சபரிமலை பதினெட்டும் கடந்த நிலை ஸ்ரீ
சக்ர பீடமதில் சின்மயானந்த பாலன் மகரம் சூழ் நன்னாளில் யோகியாய் ஜோதியாய் இரண்டென காட்சி தந்து இருவினை களையும் போது உருகி வரும் அடியவர்கள் சரணங்கள் விளிக்கும் போது தருணமாய் வந்து காக்கும் என் ஐயன் ஐயப்ப ஸ்வாமியே.... சரணம் ஐயப்பா
Paar Pukuazhum Sabarimalai. Pathinettum Kadantha Nilai Shri Chakra Peetamathil Chinamayanandha Baalan... Makaram Soozh Nannaalil Yogiyay.. Jyotiyaay.. Irendena Kaatchi Thanthu Iru Vinaiyum kalaiyum poothu Uruki varum adiyavarkal Sharanangl Vilikkum Pothu Tharunamaai Vanthu Kaakkum Yen Ayyan Ayyappa Swamiye.. Sharanam Ayyappa !

Monday, February 1, 2010

Meaning of Harivarasanam

After the posting of Lokaveeram.... Many of our devotees are mailing me to post the meaning of Harivarasanam too... I had been to Chennai for a "Hariharaputra Sapthaham" at the wonderful Perambur Ayyappan Temple and so could not do it immediately...

With a very great mental solitude and vibration I gained from Perambur Ayyappan.. Iam presenting the Harivarsanam here..

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Let me give a small introduction about Harivarasanam before we get in to the meaning...

Many people are under the impression that “Harivarasanam" was written by Jesudas.... This wonderful work was composed by Shri. Kulathur Iyer(who lived at Chennai belonging to the illustrious Kambankudi family..) If I remember right, He published it in a book called
"Darma Sastha Stuti Kadambam" (A garland of praises to Lord Darma Sastha)

It is again a myth that this "Ashtakam" is song to make the Lord sleep.... How can you make the Master of the universe sleep? The ashtakam says "devam-ashraye.." - I take refugee in you.. I surrender to you... How can you surrender to a sleeping person?

And the "Sharanam Ayyappaa Swami Sharanam Ayyappa" doesn't appear in the earlier texts and might have been a later addition... [dear devotees... it is not Sararanam Ayyappa... or Charanam Ayyappa... its Sharanam Ayyappa]

Now the audio recording at Sabarimalai has "Panchadreeshwara Mangalam...." added after Harivarasanam - which is again from the work of Shri. Kambankudi Kulathu Iyer (Last Sloka of Sasthru Shatakam - 100 verses on Lord Sastha)
In the early 1950s the area was just a wild jungle - with only a handful of devotees visited. One devotee, a Menon, stayed there at Sannidhanam and he was very fond
of this Ashtakam and used to recite it at the Sannidhanam. Some years later, due to administrative reasons he was moved out and he died as an orphan. Thirumeni Eashwaran Nampoothiri, an old Mel Santhi of the temple remembered his friend and started reciting Harivarasanam while closing the doors... Thus started a tradition that continues to this day.

- V.Aravind Subramanyam (Sastha Aravind)
Coimbatore
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Harivarasanam Viswamohanam Haridadhiswara Aaradhyapadhukam
Arivimardhanam Nithyanarthanam Hariharathmajam Devamashraye

One who is seated on a supreme Simhasana, One who enchants the universe, One whose holy feet is worshipped by Surya(Haridadhiswara - is Surya), One who kills enemies(of good deeds), One who always dances the cosmic dance, Oh Hariharaputra Deva! (Son of Hari and Hara !)- I take refuge in thee.

Sharanakirtanam Shakhtamanasam Bharanalolupam Narthanalasam
Arunabhasuram Bhoothanayakam Hariharathmajam Devamashraye

One whose mind gladdens on hearing the Sharana Gosham, One who is the great ruler(of the universe), One who loves to dance, One who shines like the rising sun, One who is the Master of all beings, Oh Hariharaputra Deva! - I take refuge in thee.

Pranaya Sathyaka Praananayakam Pranathakalpakam Suprabhanjitham
Pranavamanidram Keerthanapriyam Hariharathmajam Devamashraye

One who is the darling of his dear most soul Sathyaka(son of Lord Sastha), One who grants all the wishes of the devotees, One who shines with a divine glow, One who is the very abode of “OM”(Pranavam), One who loves songs, Oh Hariharaputra Deva! - I take refuge in thee.

Thuragavahanam Sundarananam Varagadhayudham Vedavarnitham
Gurukrupakaram Keerthanapriyam Hariharathmajam Devamashraye

One who rides a horse, who has a beautiful face, One who has the divine mace as his weapon, One who is described by the Vedhas, One who bestows the grace like a teacher, One who loves songs, Oh Hariharaputra Deva! - I take refuge in thee.

Tribuvanarchitam Devathathmakam Trinayanam Prabhum Divyadeshikam
Tridashapoojitham Chinthithapradam Hariharathmajam Devamashraye

One who is worshiped by the three worlds, who is the soul of all divine beings, One who is the Three - eyed Lord, One who is worshipped by devas(Tridasha = Devas), One who grants all the desires, Oh Hariharaputra Deva! - I take refuge in thee.

Bhavabhayapaham Bhavukavaham Bhuvanamohanam Bhoothibhooshanam
Dhavalavahanam Divyavaranam Hariharathmajam Devamashraye

One who destroys fear(of Birth & Death), who grants brings prosperity to the devotees like a father, One who is enchanter of the entire universe, One who is adorned with the holy ash(Voboothi) as ornament, One who rides on a divine white elephant, Oh Hariharaputra Deva! - I take refuge in thee.
Kalamrudusmitham Sundarananam Kalabhakomalam Gathramohanam
Kalabhakesari Vajivahanam Hariharathmajam Devamashraye

One who has an enchanting smile, who has a beautiful face, One who has an enchanting , soft, pretty form, One who has Elephant, Lion and Horse as his Vahanas Oh Hariharaputra Deva! - I take refuge in thee.

Srithajanapriyam Chinthithapradam Sruthivibhushanam Sadhujeevanam
Sruthimanoharam Geethalalasam Hariharathmajam Devamashraye

One who is dear to the people (who have surrendered to him), One who fulfills all the wishes, One has Vedas as his ornaments and One who is the very life of Good people, One whose glory is wonderfully praised by the Shrutis(Vedas) and who enjoys divine music Oh Hariharaputra Deva! - I take refuge in thee.